| 摘要: |
| 园林是中国文人的精神归宿和艺术集成。以网师园
为历史基底和空间载体，实验性设计作品“云窟”以“冰裂
纹”几何图形的三维数字生成及对山石云起之形态的空间再
现，用轻质透明材料构筑了一处文化装置。意于网师园历史文
化时空图景中，借由古典语境对话现代技术的“多元时空体文
本”，表达时间层序与空间图景的时空因对与古今观照。该作
品受邀参展于威尼斯举办的欧洲文化中心2023“时间-空间-
存在”建筑双年展，激发了全球语境下关于文化形态的历时性
交互和多样态共存的探讨。 |
| 关键词: 风景园林 云窟 网师园 古今观照 时空因对 |
| DOI：10.19775/j.cla.2024.05.0006 |
| 投稿时间：2024-02-19修订日期：2024-03-12 |
| 基金项目:文旅部社科研究项目“各民族共享的中华文化
符号和中华民族视觉形象知识图谱与实践路径研究”(编号
23DY11)、国家社科基金重大研究专项“中华民族共同体视觉
形象聚类分析与图谱建构”(编号20VMZ008)、国家社科基金
重大项目“城乡文化建设中树立和突出各民族共享的中华文化
符号理论与路径研究”(编号22VMZ004)、国家社科基金一般
项目(编号22BMZ073)和国家民委民族研究项目(编号2022-
GMA-016)共同资助 |
|
| Cave of the Cloud: Contemplation and Projectionin the Historical Time and Space of the Master-of-Nets Garden |
| ZHANG Tong,MIN Tianyi |
| Abstract: |
| Garden is the spiritual destination and artistic integration
of Chinese literati. Considering the Master-of-Nets Garden as a
historical base and space carrier, the experimental design work Cave
of the Cloud, with the three-dimensional digital generation of the
geometric pattern of "ice-crack" and the spatial reproduction of the
cloudy form of stones, by lightweight and translucent substance, a
cultural installation is built. In the historical and cultural time and
space scenario of the Master-of-Nets Garden, the "poly-chronotropic
text", as the dialogue between classical context and modern
technology, expresses the response and contemplation of temporal
layers and spatial landscapes. The work was invited to participate in
the 2023 Architecture Biennale "Time-Space-Existence" in Venice,
organized by the European Cultural Center, and it also stimulated
discussions on the diachronic interaction and multi-coexistence of
cultural forms in the global context. |
| Key words: landscape architecture Cave of the Cloud Masterof-
Nets Garden ancient and modern contemplation temporal and
spatial response |
