| 摘要: |
| 今天的城市景观，正日益从地方向无地方转变。
如何在二者之间重建创造性的关联，而并非单纯陷入二元对
立的束缚和框架，成为一个关键的议题。回归中国古代造园
传统之中的三重“之间”的手法和意境，或许是一条可行的
途径。人作与天成之间的“宛若”之境最终意在令自然呈现
其自身，静与动之间的行走之境则试图敞开身体与空间的密
切交织，而真与假之间的幻境更是指向着从有限向无限的跃
变。对于日趋数字化和智能化的城市景观设计，这些古老的
传统并未过时，而是更激活着直面现实的启示。 |
| 关键词: 风景园林 地方 无地方 边缘 之间 行走 壶
中 幻 恋地情结 |
| DOI： |
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| 基金项目: |
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| I Walk on the Edge of Landscape |
| JIANG Yuhui |
| Abstract: |
| Today's urban landscape is increasingly shifting from
the place to non-place. How to re-create the creative connection
between the two, rather than simply falling into the constraints and
framework of binary opposition, becomes a key issue. Returning to
the ancient Chinese garden tradition of triple "between" techniques
and artistic conception might be one way to go. The "as if" between
human making and nature creation is ultimately intended to make
nature manifest itself, the walking state between static and moving
tries to open the close interweaving of body and space, and the
illusion between truth and falsehood is a leap from the finite to the
infinite. For the increasingly digital and intelligent urban landscape
design, these ancient traditions are not outdated, but activate the
inspiration to face the reality. |
| Key words: landscape architecture place non-place edge between walk Kochuu illusory topophilia |
