| 摘要: |
| 针对山水图绘与园林空间之间多重结构性关联，通
过路径、构图与视觉3组模式解析搭建兼顾绘画与造园的分析
框架。以北宋时期3幅经典山水立轴为例，系统梳理其形式结
构与文本素材，总结出提示性路径、层化的山体、连续运动
视点3组绘画中的模式，并与园林实例进行关联性验证，提出
迂回编织布局、空间分隔与渗透、“反衬式”布景3种“绘
画-园林”的空间转换方法。在概念层面，并置引介中西方绘
画与空间分析法，形成2种话语体系间的互证与互补；在认知
层面，重构绘画-空间解读的视角；在方法层面，论述由绘画
映射至空间的设计手法。 |
| 关键词: 风景园林 山水立轴 空间模式 古典园林 视觉
机制 |
| DOI： |
|
| 基金项目: |
|
| Garden Patterns and Spatial Transformation in Landscape Painting—Three Hanging Scrolls from the Northern Song Dynasty as Examples |
| ZHANG Nan,KONG Yuhang |
| Abstract: |
| Aiming to clarify the multiple structural links between
landscape painting and garden, this paper is based on the research
of three groups of patterns: path, composition and vision, to create
an analytical framework that takes into account both painting
and gardening. Taking three hanging scrolls from the Northern
Song Dynasty as examples, the paper systematically sorts out the
formal structures and textual materials, summarizes three groups of
garden spatial patterns in painting: suggestive paths, layered hills
and continuous movement viewpoints, and verifies their relevance
to garden examples, proposing three "painting-garden" spatial
transformation methods: circuitous weaving layout, spatial separation
and penetration, and contrasting scenery. The juxtaposition of
Chinese and Western painting and spatial analysis at the conceptual
level forms a cross-evidence and complementarity between the two
discourse systems. It reconstructs the perspective of painting-spatial
interpretation at the cognitive level and discusses the design approach
from painting to space at the methodological level. |
| Key words: landscape architecture shanshui hanging scroll spatial
pattern classical garden visual mechanism |
