| 摘要: |
| “八景”是中国独有的一种文化现象，是指某一地
域约定俗成的景观总称，具有独特的自然环境、人文景观，
并包含丰富的乡土地理信息和宝贵的民俗资料。以清代朱集义
“关中八景”碑刻上的图景、诗文为研究对象，在阐释“关中
八景”的概念、历史沿革、“山水形胜”的空间布局以及“天
人合一”景观构成的基础上，重点分析了“关中八景”所蕴含
的山水文化、佛教思想、道教求仙等文化意象，以期为当今城
市建设与规划提供历史依据。 |
| 关键词: 风景园林 “关中八景” “天人合一” “山
水形胜” 文化意象 |
| DOI： |
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| 基金项目: |
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| Study on the Landscape Composition and Cultural Intention of Zhu Jiyi's "Eight Scenes of Guanzhong" in Qing Dynasty |
| YUE Hongji,LIAO Yelin,TANG Yun |
| Abstract: |
| "Eight Scenes" is a unique cultural phenomenon in China,
which refers to the general name of landscapes in a certain region,
including not only distinctive natural environment and cultural landscape
but also rich local geographic information and precious folk customs.
The research object of the study is the pictures and poems on Zhu Jiyi's
"Eight Scenes of Guanzhong" tablet in Qing Dynasty. On the basis of
illustrating the concept and historical evolution of the "Eight Scenes of
Guanzhong", the spatial layout of "shan (mountain) shui (river) xing
(shape) sheng (advantageous terrain)" and the landscape composition of
"the unity of nature and human", the paper focuses on the cultural images
of Confucianism, Buddhism, and Taoism contained in "Eight Scenes of
Guanzhong". The paper aims to provide historical basis for the present
urban construction and planning |
| Key words: landscape architecture "Eight Scenes of Guanzhong" "the
unity of nature and human "shan (mountain) shui (river) xing (shape)
sheng (advantageous terrain)" cultural image |
