| 摘要: |
| 场地历史的设计学角色一直是一个含糊不清的专业问
题，研究试以存留状态谱系最宽的后工业景观为对象，并对以
机器大工业时代的工业遗存为历史对象的后工业景观中不为重
视的3种特质，即“大机器”、超级属性之“崇高”，以及从
技术到人文的“工业文化”展开论述，探讨它们成为特质的缘
由、可续和复用的机制。通过对场地历史之于设计的普适性价
值的强调，与当代复用锚点的设计关联，旨在建立一种将设计
场地视为历史对象的设计学共识。 |
| 关键词: 风景园林 历史对象 后工业景观 复用 大机器 崇高 工业文化 |
| DOI： |
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| 基金项目: |
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| Historical Objects and Post-Industrial Landscape |
| ZHU Yufan |
| Abstract: |
| The role of site history in Design has always been
an ambiguous professional topic. This article examines postindustrial
landscape with its most diverse fading pedigree, explores
the identification and regeneration mechanism of three alwaysbeing-
ignored site identities, which are "super machine", the
"sublime" mega quality and "industrial culture" from technology to
humanities. Then the article emphasizes the universal value of site
history to design, its contemporary anchor in design, thus proposing
a common ground that sees sites as historical objects. |
| Key words: landscape architecture historical objects post-industrial
landscape regeneration super machine sublime industrial culture |
