| 摘要: |
| 国内外遗址保护研究持续活跃，伴随中国文旅产业
兴起，在人本主义语境与城市设计精细化要求背景下，文化
精神的传递、公众情感的联结、体验需求的关注等逐渐受到重
视，遗址文化展示表达迎来特别机遇。但由于东方遗址多数实
体不存的特性，导致历史信息转译困难，文化价值难以发挥。
理据东方传统哲学思想“无”来论证本体缺失遗址的展示可行
性，并从此视角明确“无地物遗址”概念、分类、选择性展示
依据和展示模式等，解析其所具有的空间共用矛盾性、认知过
程抽象性、保护展示分离性和展示空间灵活性等特征，在此基
础上探讨遗址展示“址境一统”的整体观，城市、遗址、公众
三位一体“与城乐民”的发展观，以及“续史延新”的循善观
等展示观念，以期健全中国遗产保护展示理论体系，拓展无地
物遗址历史文化可及性研究的视角和思路。 |
| 关键词: 风景园林 无地物遗址 遗址特征 展示观念 公
众感知 |
| DOI：10.19775/j.cla.2024.03.0095 |
| 投稿时间：2022-11-15修订日期：2023-02-24 |
| 基金项目:亚洲开发银行(亚行)知识与支持技术援助项目
(编号56052-001)、陕西省创新能力支撑计划项目(编号
2023-CX-RKX-054)和陕西省教育厅科学研究计划项目(编
号21JK0202)共同资助 |
|
| Research on the Concept, Characteristics andLayout of "Non-Surface Remains Historical Relics" |
| NAN Jiabo,ZHOU Qinghua,YANG Xiaodan,WANG Yirui |
| Abstract: |
| The research on site conservation at both home and
abroad continues to be active, and along with the rise of China's
cultural tourism industry, the transmission of cultural spirit, public
emotional connection, and attention to experiential needs are
gradually emphasized in the humanistic context and the refinement
requirements of urban design, and the cultural expression of sites
has been given special opportunities. However, due to the nonexistent
nature of most oriental sites, it is difficult to translate
historical information and bring cultural values into play. Based
on the traditional Eastern philosophical thought of "nothing", the
feasibility of displaying sites without ontology is argued, and from
this perspective, the concept, classification, and basis for selective
display of "non-surface remains historical relics" are clarified, and
then their spatial sharing contradiction, abstraction of cognitive
process, separation of conservation and display, and display space
are analyzed. On this basis, the overall concept of "unity of site
and context" and the development concept of "trinity of city,
site, and public" are discussed in order to improve the theoretical
system of heritage conservation and display in China, and the
aim is to improve the theoretical system of heritage conservation
and display in China and to expand the perspective and ideas
of historical and cultural accessibility of sites without objects. |
| Key words: landscape architecture non-surface remains historical
relics relics characteristics display concept public perception |
