| 摘要: |
| “园篱”是中国园林的重要艺术组成，在明代园林
绘画中可以窥见园篱具有的显著地位，其传递出的文化表征也
与园林空间的形塑有直接联系。特别是明代前期的园林图像中
出现了大量与后世不同的园篱运用，如果以空间的视角去理解
分析，以形态构成为侧重点，研究其在园林中的空间组构与时
空衍化脉络，则有助于清晰了解时代园林修建过程中文化观念
对空间环境的影响。如果沿循并交错“园林”和“图绘”的平
行系统去探寻园林艺术发展的内涵，以材料本身视觉和美学特
征进行细致分析，从而形成对明代绘画中园篱的多模态解读，
则能产生对此时期园林修建的趣味所向、文化内涵及时代风格
等对园林空间形态映射的清晰理解，并在探讨传统园林艺术形
式的同时，通过园篱这个物质载体去体会特定时代的园林风
格，重新感知并梳理转化形成当今园林发展的实践导向。 |
| 关键词: 风景园林 园林创作 园篱 明代园林 |
| DOI： |
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| 基金项目: |
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| Drawing, Space, Times and Narration: The Bamboo Fence in the Paintings of Ming Dynasty and the Garden Form in Early Ming Dynasty |
| LIU Junmin,ZHANG Ling |
| Abstract: |
| In the Ming Dynasty garden theme painting, the garden
fence has a significant position. The cultural representation
conveyed by the garden fence has an important relationship with
the garden space, especially in the garden images in the early
Ming Dynasty, which are different from those of later generations.
If we us the space theory to understand and analyze, it will
help us to understand more clearly the influence and structure
of cultural concepts on the space environment in the process of
garden construction. If we interpret the garden fence mode in
Ming Dynasty painting from a long-term perspective, we can have
a deeper understanding of the mapping of garden construction
interest, cultural connotation and era style to the landscape spatial
form in this period, and explore and carry forward the aesthetic
principles of traditional garden art form, and re-perceive and
sort out the transformation to form the practical guidance for the
development of today's garden art. |
| Key words: landscape architecture garden creation garden fence gardens in Ming Dynasty |
