| 摘要: |
| 《园冶·掇山》篇总结的“有真为假，做假成真”
是中国传统园林假山理法的核心要义，概括了从摹仿真山到通
过提炼、概括、局部扩大来再现真山的创作方法。以戈裕良所
掇环秀山庄假山为例，探讨其如何“有真为假”，尽显太湖石
造化之功的同时又写仿苏州大石山个性之美；并研究其如何在
画论、画意引导下，“集零为整”“以小见大”，形成从整体
贯穿到局部的生动气韵，最终在咫尺之地产生宛若自然甚至高
于自然的山林之感。 |
| 关键词: 风景园林 传统园林 戈裕良 掇山 写仿自
然 画意造园 |
| DOI： |
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| 基金项目: |
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| Study on the Rockery Design Methods of Huanxiushanzhuang Garden |
| MENG Fanyu |
| Abstract: |
| "To design rockery based on the essence of real
mountains, and produce an artificial work hardly distinguishable
from the natural one", summarized in the Duoshan Chapter of
Yuan Ye, is the essential of Chinese traditional garden rockery
design methods. It summarizes the creative methods from
imitating mountains to reproducing the real mountains by refining,
generalizing and expanding in part. In this paper, taking the
Huanxiushanzhuang Garden rockery by Ge Yuliang as an example,
the author explores how it can be "true to artificial" to show the
achievements of Taihu Lake fossilization and to imitating the
beauty of personality of Dashi Mountain in Suzhou. At the same
time, it studies how to form a vivid charm from the whole to the
part under the guidance of painting theory and artistic conception,
with multiple techniques of "integrating parts into a whole" and
"affording wide views in a small confined space", eventually
producing a sense of nature or even higher than nature. |
| Key words: landscape architecture traditional garden Ge Yuliang rockery nature imitation artistic conception-based garden-making |
